Yes.
It is the same Alex Finbow who wrote and directed 24 Hours in London.
Very exciting, as Dr Crabtree would say. Though why he should say it just after Jess has pointed out that it’s a woman’s only ritual, one can only guess. Probably something deeply Freudian going on there, but I shan’t dwell on it.
So tomorrow at three I shall be heading over to the Shearway Business Park (all of a five minute journey) for my first proper meeting with ‘people with a reasoanble bit of clout’ as a director.
One slight prob is that Daz is working late in London and may not be able to get the latest version of the soundtrack over to me for the meeting, which means I’ll have to go in with the rough cut mix, which is pretty ropey. But never mind, as far as I’m aware we’re going to talk about editing, so it might make more sense if the sound edits are more obvious anyway…