…writing and thinking hard about Return to Earth – and making reasonable progress.  Nothing startling, but it’ll do me. With the million and one other things on at the moment, I’m not expecting miracles.

I have set up a separate blog and Twitter feed for the Return to Earth project, http://returntoearth.at/once/ and @returntoearth respectively.  Feel free to check out and follow (and donate!), I’ll no doubt update that site more than this one, with my recent track record of updates.

In case anyone was wondering what the previous post was about it was all part of a big game run by the the creator of Moblog, Alfie Denning, where forty or so bloggers were provided with geo-cache type clues which would lead people to various points around London where they would find photographs by the talented James Nachtwey and a letter.  Find the photos, collect the letters and work out what the question was. 

It was all to raise awareness of Extremely Drug-Resistant Tuberculosis – which you can read more about at http://www.xdrtb.org/

Fifty-One people have pointed out that the new concept for the Peugeot 506 looks absolutely amazing. I can’t find a negative thing to say about it, either. However, none of them point out that of the eleven concepts that have been revealed by Peugeot since 91, only 2 have been made and eight had funding scrapped even before the concepts were unveiled.

http://moblog.net/map/blog/findme/

Inspired by Tim Clague’s post about how Marvel write their comics, I’ve been inspired to take hold of an idea that has been bubbling about in my head for some time now; namely that I should write the next draft of Return to Earth initally as a StoryBoard, and then, once I’m happy with the structure, write it back to screenplay format.

I have no idea if it will work, but it seems to make so much sense to work this way, primarily to force myself to think in images and structure the story visually.  

The notion struck me a few years ago while I was reading The Conversations, Michael Ondaatje’s superb book where he discusses the art of editing with Walter Murch.  Walter describes how he likes to take screenshots of takes and line them up to see how they cut together. 

Now I’m straight from the Murch school of editing and think the key to any film is the cut, the juxtaposition of the images has enormous power.  So it got me thinking, why not apply this process to the writing process, it may even free up the right brain a bit more?

We’ll see.  

I still don’t know quite how I’m going to do it.  I have StoryBoard Quick 5, but I suspect this might be a bit limiting.  FrameForge is tempting, purely because I can build the moonbase as a virtual construct and set the characters free in there.  Drawing it freehand also seems like a sensible idea, it would have a quicker turnaround, though I may end up drowning in paper.

Whatever, I’ll post up some of the results on here…